Toronto: Smash hits like “Squid Sport” and “Parasite” might make it look straightforward, however Emmy-winner Lee Jung-jae says South Korean cinema spent years studying learn how to attain unprecedented world audiences via tales concerning the competitiveness and violence of contemporary life .
Lee spoke to AFP simply days after making historical past as the primary foreign-language performer to win the Emmy for greatest actor in a drama with “Squid Sport” – the most-watched Netflix present of all time.
“As a bit of labor that isn’t in English that we’re capable of carry to the worldwide viewers, we’re very pleased about that,” mentioned Lee.
“Even from Korea everyone was so pleased and so they had been sending me congratulating messages,” he mentioned throughout an interview on the Toronto movie competition.
“After I return there’s a variety of interviews and issues ready for me!”
The brutal social satire about misfits and criminals competing for money in twisted variations of schoolyard video games adopted within the footsteps of South Korea’s “Parasite,” which two years earlier turned the primary foreign-language film to win greatest image on the Oscars.
“For a very long time, Korean cinema has been making an attempt to determine learn how to join higher with world audiences,” mentioned Lee.
“Now, because of these years-long efforts, we see a variety of high-quality content material, that has resonated around the globe and received important acclaim.”
It has additionally been an enormous industrial success: “Squid Sport” director Hwang Dong-hyuk is writing an eagerly-awaited second season, with Lee teasing that his character Seong Gi-hun “shall be utterly totally different” this time round.
However earlier than then comes “Hunt,” Lee’s directorial film debut, which earned a prestigious “gala presentation” premiere this week on the Toronto Worldwide Movie Pageant – comparatively uncommon for an Asian-language movie.
The twisty Chilly-Warfare period spy thriller during which Lee additionally stars is loosely based mostly on actual Eighties political occasions, together with an tried assassination of South Korea’s president and the defection of a North Korean pilot.
Lee mentioned the movie shares some themes with “Squid Sport” – together with its unflinching depiction of violence, as rival South Korean spies flip in opposition to and even torture each other.
As an example, it too seems at how an “overly aggressive society might truly result in individuals hurting one another.”
“Hunt” has already topped the field workplace in its house nation, and shall be launched in North American theaters and on-demand streaming on December 2 by Magnolia Footage.
However in an additional signal of how Korean movie-making is adapting to the wants of its new-found viewers, the ultimate model displays a extra world movie.
Following its preliminary screening on the Cannes movie competition in Could, some critics complained the plot was troublesome to observe for Western audiences not aware of Korean politics, so Lee re-cut it to simplify some components, and revised the subtitles.
However, he emphasised, the movie is much less about Korean historical past and extra about “how this violence is going on all around the globe globally,” hurting atypical individuals.
“This film is about these two protagonists and whether or not their ideas are righteous.”
“What’s most essential is, as a result of it is an espionage action-drama, that I simply need you to essentially benefit from the movie,” he mentioned.
When “Parasite” director Bong Joon-ho shocked Hollywood by profitable greatest image on the Oscars in 2020, he spoke concerning the significance of overcoming “the one-inch-tall barrier of subtitles.”
Lee mentioned he has not mentioned South Korea’s newfound world clout with Bong, however agreed that the nation’s tradition “has change into extensively understood globally” because the world turns into extra inter-connected through know-how akin to world streaming and social media.
“In Korea truly we watch a variety of content material from totally different international locations and all around the globe, so it’s extremely pure for us,” he mentioned.
He added: “The world is loads nearer now… Korea’s distinctive story shouldn’t be one thing that’s troublesome for international audiences to grasp.”
“It is pure. With everybody rising nearer to one another, it isn’t obscure the feelings – whether or not it is ache or grief – of others, as a result of we dwell in a world the place emotions are shared immediately.”